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Saturday, April 30, 2011

Akshay Saif to come together again in 'Main Khiladi Tu Anari' sequel



It’s tough to forget the dance floor with blinking colourful lights, the whistle and the tough dance moves executed by one of the hit jodis Saif Ali Khan and Akshay Kumar in the title track of the 1994 film Main Khiladi Tu Anari.


The story of an actor trying to help a cop out in a murder case became an instant hit. Saif, it seems, wants to go back to the action thriller once again.

The actor, after 17 long years has decided to make a sequel with his original co-star Akshay under the banner of Illuminati Films, his own production house.

“You know the funny part is that I wanted to make a sequel to Main Khiladi Tu Anari with Akshay when it had released but people asked me not to be silly since sequels don’t work in India. I however, kept saying that they do.

Sequels work all the time in America. Making a sequel to the the film is a pretty good idea and I might do it now,” confirms Saif.

Though Saif has too many films on hand as a producer at the moment, his plan to remake the 1994 hit is definitely on.



source: http://www.mumbaimirror.com/article/30/2011043020110430020343359e4d26c0a/SaifAkki-version-20.html

Chalo Dilli opening day business


Chalo Delhi had a poor first day but a decent pick up over the weekend can take it to around 3.50 crore nett for weekend business. The first day was around 75 lakhs nett. The breakdown is as follows.

Mumbai - 25 lakhs

Delhi/UP - 21 lakhs

East Punjab - 11 lakhs

West Bengal - 3 lakhs

CP Berar - 2 lakhs

CI - 1.50 lakhs

Rajasthan - 2 lakhs

Nizam - 3 lakhs

Mysore - 5 lakhs

Others - 2.50 lakhs

TOTAL - 76 lakhs

source: http://www.boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=2834&nCat=box_office_news

Friday, April 29, 2011

Dharti going to be second highest grosser punjabi movie ever


Jimmy Sheirgill's Punjabi film Dharti has done well at the box office in first week and will eventually do good business but will not the heights of Jimmy's last film Mel Karade Rabba.

Dharti is likely to be the second biggest earning Punjabi film ever after Mel Karade Rabba but the gap will be pretty big.

Me Karade Rabba earned a share of 2.50 crore from 50 prints in its lifetime run which was on par with Dabangg as far as share per print is concerned. Dharti managed weekend figures better than Mel Karade Rabba but the week numbers are lower as business on Monday was steady but not at the awesome levels of Mel Karade Rabba.

source: http://www.boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=2831&nCat=box_office_news

Rajnikanth's 'Rana' first look poster


Weekly report (15\04\2011 - 21\04\2011)

                        ThankYou

Rank                            1
Cinemas                    1100
Week                            2
Weekly Nett        10,80,00,000
% change                 -62.60
Total Nett             39,69,00,000 

    Verdict        Below Average
---------------------------------------------------------------

                            3 Thay Bhai


Rank                              2
Cinemas                       425
Week                              1
Weekly Nett          2,62,00,000
% change                        -
Total nett               2,62,00,000


      Verdict          Flop
----------------------------------------------------------------

                              FALTU


Rank                               3
Cinemas                        475
Week                               3
Weekly Nett            2,30,00,000
% change                     -49.11
Total nett                23,16,00,000


       Verdict             Average


-----------------------------------------------------------------


                               Game


Rank                                 4
Cinemas                           50
Week                                 3
Weekly  Nett               9,00,000
% change                      -86.76
Total nett                  7,36,00,000


         Verdict             Disaster
-------------------------------------------------------------------


                               Tanu Weds Manu


Rank                                    5
Cinemas                               5
Week                                    8       
Weekly Nett                   1,00,000
% change                          -80.00
Total nett                      38,68,00,000


          Verdict                     Hit


source: http://www.boxofficeindia.com/cpages.php?pageName=earnings 

Dum Maaro Dum first week business, Thankyou three week total


Dum Maro Dum was below the mark in week one with around 22.50 crore nett. The 8th day has seen a huge fall with collections 80-85% lower than first day. The film is looking at 30 crore nett lifetime business.

Thank You grossed around total 2.50 crore nett in week three taking its three week total to 42.25 crore nett. BELOW AVERAGE

source: http://www.boxofficeindia.com/boxdetail.php?page=shownews&articleid=2832&nCat=box_office_report

New Releases open poorly.


Challo Dilli opened poorly at around 15-20%. The film is totally dependent on word of mouth and will need to pick upon Saturday. The reports are mixed though Delhi/NCR area may fare better.

Naughty @ 40 was very bad with 0-5% collections. The film has no chance at the box office.

Shor In The City also opened poorly at around 10-15%. The film has advantage of low costs which should be recovered but theatrical business may not be much.

source: http://www.boxofficeindia.com/boxdetail.php?page=shownews&articleid=2832&nCat=box_office_report

Tuesday, April 26, 2011

Ready Music Review - Joginder Tuteja



EXPECTATIONS

Now this is what one calls a perfect project in the making. Salman Khan, Anees Bazmee, Pritam, Bhushan Kumar and that promise of an out and out entertainer - one strongly believes that the music of Ready can't really go wrong. There are movies that are termed as popcorn entertainers; now here is a soundtrack which one believes would be the kind that would be best enjoyed when being a little high. Though four different lyricists - Amitabh Bhattacharya, Neelesh Misra, Ashish Pandit and Kumaar - are roped in for a song apiece with Devi Sri Prasad also chipping in as a guest composer, you look forward to whetherReady indeed has enough 'dum' in it to be the biggest commercial soundtrack of the year so far.

MUSIC

Pritam lends a fantastic start to Ready with 'Character Dheela' and what actually catches your instant attention is the fact that despite this being a Salman Khan entertainer, the song has the trademark sound that the composer is known for lending to his songs. If one has liked the kind of tunes that Pritam has composed for Shahid in films like Kismat Konnection, Jab We Met and Badmaash Company, he is bound to totally lap up 'Character Dheela' due to the Salman element being cleverly integrated by Amitabh Bhattacharya through his smart lyrics (don't miss that reference to 'Munni' and 'Sheila').

Going totally by Salman's on/off screen image which in any case is hardly different these days, 'Character Dheela' by Neeraj Shridhar and Amrita Kak is a lot of fun for those four minutes that it plays. An interesting choreography with Zarine Khan exuding oomph (a distinct shift from her Veer image) is another good reason that further consolidates the fact that 'Character Dheela' would entice a lot of 'seetis' and 'taalis' when it plays on screen. A chartbuster all the way that also arrives in a 'remix' and accentuates the fun.

What follows next is the kind of romantic number that Salman had to his name in dozens during the 90s. Written by Neelesh Misra, 'Humko Pyar Hua' also has short English portions in between the 'antra' and has KK going subtle in his rendition with Tulsi Kumar giving him good support. Though the original tune as well as it's remix is fine and doesn't give any reason to complain, it is nowhere close to the kind that Salman has enjoyed inVeer (Surili Ankhiyon Wali) and Dabangg (Tere Mast Mast Nain). At the end of it all, 'Humko Pyar Hua' is one harmless number that will find some popularity going for it only after the film turns out to be a success.

What is definitely going to be popular though in the very first go is 'Dhinka Chika' which is all set to be the biggest chartbuster of the first half of 2011 at the least. A re-done version of Telugu number 'Ringa Ringa' (Arya 2) with the original composer Devi Sri Prasad being roped in here, 'Dhinka Chika' (also arriving again in the 'remix version') has Mika Singh and Amrita Kak bringing on the kind of attitude that was pretty much required for the song of this genre. Ashish Pandit's lyrics are as 'chalu' as it gets and reminds one of the songs that were made for Mithun Chakravorty, Jeetendra and Govinda during the 80s. Expect frenzy in theaters, especially single screens, when the song plays on screen.

Pritam returns on the scene with a quintessential North Indian 'shaadi byaah' celebration track 'Meri Ada Bhi' that starts off with the folk rendition of much heard 'Laung Gawacha'. A rhythmic track that surprisingly has Rahat Fateh Ali Khan at the helm of affairs (since he is known more for his soulful melodies rather than dance numbers), 'Meri Ada Bhi' is what one terms as the kind of number which has been made for family audience. Tulsi Kumar too is pretty much in elements here for this song that at places does tend to veer towards 'U and I' (Pritam's composition from De Dana Dan at places) courtesy the way Rahat approaches it before the composer manages to pull it all back.

OVERALL

Any regrets from Ready? Only one which is - 'it finishes off too soon'. From an album of this stature one expected at least a couple of more songs to make it a wholesome affair. However, with only four songs in the album, one longs to lay hands on a lot more. Nonetheless, from what is made available, there are good enough reasons to celebrate with 'Dhinka Chika' and 'Character Dheela' all set to be not just huge hits musically but also turn out to be massive crowd pullers. On the other hand 'Meri Ada Bhi' ends up adding good variety to the album with 'Humko Pyar Hua' carrying a potential to gather steam once the film releases. Once on shelves, Ready should be a sell-out due to all around craze amongst audience to check out what the music is all about. However, the momentum is only going to continue after the film hits the screens.

OUR PICK(S)

Dhinka Chika, Character Dheela, Meri Ada Bhi


4 / 5

Dum Maaro Dum drops on Monday


Dum Maaro Dum had a poor Monday as collections were in the 2-2.25 crore nett region. The collections crashed in many areas while South held up a bit better.

Single screens had crashed over the weekend and collections on Monday were simply awful. The four day business of the film is around 18.25 crore nett.

The film is looking at business of around 23 crore nett first week and possibly 30 crore nett lifetime business. Business in places like West Bengal, Nizam, Mysore and Tamil Nadu/Kerala will still be good due to opening.

source: http://www.boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=2819&nCat=box_office_news

Monday, April 25, 2011

Shor In The City Movie Review - Taran Adarsh

A major chunk of the film industry is under the misapprehension that when a film makes it to the festival circuit, it holds zilch prospects at the box-office. It isn't for the aam aadmi; these films are sans entertainment. Tags such as offbeat and unusual are attached to it, even before the audience can give its mandate. But the perception has gradually changed with time, with more and more people getting cinema literate. These films have been successful in striking a chord with the festival crowd as well as passionate moviegoers. Most importantly, these films have quashed the notion that they aren't commercially viable.

SHOR IN THE CITY, which won tremendous acclaim at various international festivals, takes this legacy forward. Like some striking films in the past, this one has the power to mesmerize and fascinate the festival crowd as well as those looking for an intelligent film while planning a trip to cineplexes. Yet, it is not one of those regular entertainers that we churn out with amazing regularity and which insult the intelligence of the viewer. 



Get ready for a film that keeps you on the edge, but at the same time is one helluva entertaining film. As a film, SHOR IN THE CITY absorbs you into its world in no time. It is slick, has a lot of nervous energy and also has its share of fun moments. This one actually stands out in the crowd due to its unconventional plotline as well as execution.

SHOR IN THE CITY revolves around three stories in the midst of the noise and grunge of Mumbai. It has the gangster backdrop [but that doesn't make it dark and depressing] as well as the thriller quotient that keeps you on the edge. The three stories run concurrently - the characters are not connected with each other, they don't cross paths and nor is the film episodic. It's not like watching one character/story first, followed by the second and then the third. Nope, not at all! And there lies the beauty, for the characters never meet till the very conclusion, but there's a commonality or cohesion that can't be disregarded.

Does SHOR IN THE CITY bear an uncanny resemblance to the British black comedy FOUR LIONS? That's a misconception again, for FOUR LIONS was about four jehadis, while this one has a brand new story to tell. 



SHOR IN THE CITY revolves around three loosely interconnected stories set in the midst of the noise and soot of Mumbai during Ganeshotsav festival. Abhay [Sendhil Ramamurthy], an outsider, is forced to come to terms with the fact that he is alone in an unwelcoming city, which he thought was home. 


Tilak [Tusshar Kapoor] is an honest bootlegger who pulls scams with his unruly buddies Ramesh [Nikhil Dwivedi] and Mandook [Pitobash]. They chance upon a rare loot on a local train, which opens up new, dangerous avenues for them.

Young Sawan [Sundeep Kishan] has one goal, and more importantly, the only option - to get into the Mumbai Junior Cricket team. In a city where corruption is a way of life, the goal comes at a price - he needs to find the money first.

Directors Raj Nidimoru and Krishna D.K. deserve brownie points for their choice of the subject and most importantly, for handling it with aplomb. Though the situations are simple and the tone serious, the film offers laughs in decent doses.

Besides the skilful direction, the film is embellished with a taut screenplay [Raj Nidimoru, Krishna D.K., Sita Menon] that leads to an explosive, stunning, nail-biting finale. In fact, the penultimate moments are pure dynamite and any misgivings or shortcomings you may've had vis-à-vis the pace of the film vanishes into thin air when you watch the finale explode right in front of your eyes. Besides a watertight screenplay, the film is embellished with exceptional cinematography that's just hard to overlook [Tushar Kanti Ray] and some truly wonderful dialogue. Although there's not much scope for music [Sachin-Jigar], 'Saibo' and 'Karma Is A Bitch' do catch your attention - the former due to the soothing melody, the latter due to its infectious tune.

SHOR IN THE CITY belongs to the men, while the women [Radhika Apte, Preeti Desai and Girija Oak] take a backseat. Radhika [RAKHT CHARITRA, I AM] is a natural, while Preeti has good screen presence. Girija does a fine job. As for the men, Tusshar, Sendhil, Nikhil, Pitobash and Sundeep - each one shines in their respective parts. 



Tusshar's character in SHOR IN THE CITY is a stark contrast to the characters he has portrayed in the GOLMAAL series. He displays a humane side that's sure to win hearts. Pitobash is simply outstanding and without doubt, the discovery of the season. His performance is bound to be talked about. Sendhil is efficient, displaying helplessness and anger with remarkable ease, while Nikhil is striking, especially towards the second hour. Note the sequence in the end, after the bank robbery goes wrong. He’s electrifying! Sundeep is first-rate, who, like Sendhil, displays vulnerability with natural ease. Amit Mistry is remarkable. Zakir Hussain is excellent.

On the whole, SHOR IN THE CITY belongs to one of those rare categories of movies with sensibilities that would not only entice the festival crowd and the cinema literate, but also lure the ardent moviegoer. Although it is not your standard Bollywood entertainer and nor does it have your customary flippant and frivolous humor, it prides itself on a certain distinctive Indian appeal with elements of adventure, thrill and drama with its understated and minimalist humor which makes it stand out in the crowd. I robustly recommend, try not to miss this one! 







3.5 / 5



Dum Maaro Dum first weekend business


Dum Maaro Dum faired very well in South and well in West Bengal Rest was below the mark especially North India . The weekend territorial breakdown is as follows. All numbers include paid previews.

Mumbai - 6.50 crore

Delhi/UP - 3.13 crore

East Punjab - 1.17 crore

West Bengal - 86 lakhs

Bihar - 20 lakhs

CP Berar - 51 lakhs

CI - 40 lakhs

Rajasthan - 49 lakhs

Nizam - 1.15 crore

Mysore - 1.21 crore

Others - 52 lakhs

TOTAL - 16.14 crore

source: http://www.boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=2813&nCat=box_office_news

Saturday, April 23, 2011

Dum Maaro Dum Opening Day Business

Dum Maaro Dum grossed 4.50 crore nett approx on its first day which was poor collection considering it was Easter holiday. The one plus for the film is that it has done well in Mysore circuit where it should emerge a hit. East Punjab and Nizam uderperformed due to competition from regional films. The paid previews collected 50 lakhs nett taking the film's total to 5 crore nett. The film will need good growth on Saturday and then on Sunday if it is to have a decent weekend. The territorial breakdown is as follows.

Mumbai - 1.75 crore

Delhi/UP - 96 lakhs

East Punjab - 39 lakhs

West Bengal - 20 lakhs

CP Berar - 17 lakhs

CI - 13 lakhs

Rajasthan - 15 lakhs

Nizam - 18 lakhs

Mysore - 30 lakhs

Others - 18 lakhs

TOTAL - 4.41 crore

Friday, April 22, 2011

Dharti brings earthquake in punjab

Dharti rocked the earth of punjab as expected earlier. It shattered the opening record of biggest earning punjabi fim 'Mel Karade Rabba'. Dharti had full houses or near at ever place in punjab.

At a prime multiplex like Wave Ludhiana, Dharti collected 2.10 lakhs approx on day one on six shows whereas Dum Maaro Dum could only collect 1 lakhs approx on 11 shows.
   
At a theatre like Big Jalandhar, Dharti collected 2.30 lakhs approx on day one on six shows whereas Dum Maaro Dum could only collect 1.20 lakhs approx on ten shows. This was the case at all multiplexes in Punjab and the difference was even more at single screens with Dharti collecting ten times more in cities where both films were running on single screens.

source: http://www.boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=2804&nCat=box_office_news


Thankyou,Teen Thay Bhai business & boxoffice verdict

Thank You held steady in week two with a 60% drop from week one which is good as the first week had an advantage of two holidays. The second week total was 11.25 crore nett taking its two week total to 40 crore nett. BELOW AVERAGE

Teen Thay Bhai is a poor fare with around 3.50 crore nett collections in its first week. FLOP

Faltu is still hanging around with 2 crore nett in week three taking its three total to 23.50 crore nett. AVERAGE 

source: http://www.boxofficeindia.com/npages.php?page=shownews&articleid=2803&nCat=news 

Salmaan goes unnoticed while shooting Bodyguard

Salman Khan one of the biggest stars of India, did the most unimaginable things recently! 

Salman's popularity with the masses is no secret, really, so for him to even step out in the midst of a crowd would seem impossible, but Salman has a knack for surprises. 



Last week, during office hours, in the afternoon, Salman went to Flora Fountain, in South Mumbai, shot a scene for his next film BODYGUARD, in the midst of a thick crowd without getting noticed. Surprised? Don't be, we tell how the star and the team of BODYGUARD managed this impossible feat.

Well, the unit of BODYGUARD had installed hidden cameras on top of the buildings, in and around the area that Salman was supposed to shoot the scene, for 30 seconds. The scene was basically, Salman, who plays a BODYGUARD, walking behind a woman, as her bodyguard, and mingling with the crowd. 



For the shoot, there was no unit on ground, and absolutely no security, to avoid attracting attention of the people. Salman just walked with the crowd, completely merging in the crowd, and camouflaging himself, as bodyguards usually do, the shot was okayed and drove away in his car.

The entire unit was very nervous for the shot, as there was no security, and the crowd was huge, and it is very difficult to camouflage a star. However, Salman is so much in his character of a bodyguard, his body language; his mannerisms are all just like a bodyguard's, so the scene was canned smoothly. 



source: http://www.glamsham.com/movies/scoops/11/apr/21-bodyguard-salman-does-a-camouflage-041110.asp

Ready 'Character Dheela' song promo


Dum Maaro Dum Movie Review - Komal Nahta



Dum Maaro Dum Plot: Abhishek is called in to cleanse Goa of drugs, prostitution and other problems. He has to find out who the drug lord is. He is aided in his mission by several people. Read the full review by Komal Nahta below:
Business rating: 1.5 stars
Star cast: Abhishek Bachchan, Rana Daggubati, Bipasha Basu, Prateik, Govind Namdeo, Aditya Pancholi.
What’s Good: The remixed version of the super-hit R.D. Burman song, Dum maaro dum; the stylish picturisation of the sequences; the acting.
What’s Bad: The loopholes in the screenplay; the revelation of the suspense; the second half.
Verdict: Dum Maaro Dum will not show much box-office dum!
Loo break: A few breaks in the second half are okay.
Watch or not?: Watch it for the style and the song more than for the substance (abuse).
Fox Star Studios and Ramesh Sippy Entertainment’s Dum Maaro Dum (A) is about the drug menace in Goa. Vishnu Kamat (Abhishek Bachchan) is summoned by the chief minister of Goa (Bugs Bhargava) to wipe out drugs, prostitution and other vices that have spoiled the fabric of Goa. He begins work with two assistants, Mercy (Muzammil S. Qureshi) and Rane (Govind Namdeo). In his clean-up exercise is caught Laurie (Prateik) who was being used by Ricky as a carrier to smuggle out cocaine from the country. Laurie, who lives in Goa, was on his way to America for further studies. His friend, Ricky, had brainwashed him into carrying an assignment of cocaine with him, for a fee. Initially reluctant, simpleton Laurie had agreed and now, he was in the police net after getting caught red-handed.
Joki (Rana Daggubati), working for a rich businessman, Carlos Biscuita (Aditya Pancholi), realises that Laurie is a mere pawn and he pleads with ACP Vishnu Kamat to go soft on him, guaranteeing him that he was innocent. He tells Laurie to reveal all but the latter does not spill the beans as he fears for his family’s security. Joki’s concern for Laurie is born out of the fact that five years ago, his girlfriend, Zoe (Bipasha Basu), had similarly landed in the police net while she was training to become an airhostess. Joki’s boss, Biscuita, had used his influence to get her out of jail within days but after that, he had forced Zoe to become his own girlfriend in spite of being a married man. Joki had been a helpless spectator then.
Anyway, even while ACP Kamat’s cleaning-up exercise is on, he realises that Biscuita is himself a drug dealer but the kingpin is one Michael Barbossa. The job now is to find out who Barbossa is and that’s not an easy task because not many seem to know his identity and also because he uses different aliases in different cities.
Does ACP Kamat succeed in his mission? Who is Barbossa? Is he alive? What role does Joki play in tracing Barbossa? Does Laurie muster the courage to help the police? What about Zoe? Answers to all these questions are revealed in the climax of the suspense thriller.

Dum Maaro Dum Review – Story & Screenplay

Shridhar Raghavan’s story and screenplay has its highs and lows. First, the plus points. There are several twists and turns, keeping the audience interest alive for a good part of the drama. Generally speaking, the pace is maintained in the first half. The dialogues (by Purva Naresh) are very entertaining at places and the background score is effective. On the minus side are the several dips in the screenplay, especially in the second half. The film keeps dropping and picking up intermittently although, it must be said, it does not completely lose its grip on the audience. However, since the screenplay is confusing, more so in the post-interval portions and thanks in no small measure to the unusual Christian names of many of the main characters, the audience gets bored. The confusion makes the film more for the classes than the masses because one has constantly got to be alert and thinking, which can’t be expected of the masses. It is not clear why ACP Vishnu Kamat gives so much credence to Joki’s statements even before he (Joki) has proven himself. Probably, the biggest drawback of the screenplay is the revelation of the suspense. The audiences fail to understand what led to the revelation because they are unable to comprehend how a character in the film arrives at the conclusion he does. In other words, the writer assumes that the viewers would simply understand without anything being explained to them – which, incidentally, doesn’t happen! Also, it is not clear why so much importance is given to Michael Barbossa. For, the mission is to wipe out the drug and other menaces rather than merely individuals. Overall, it can be said that the script is more engaging than intelligent or complete.
Although not a part of the script, a big plus point of the film is the title song which is the remixed version of the song from Dev Anand’s Hare Rama Hare Krishna. Its placement towards the end of the film is intelligent because since it is a popular number, the viewer waits for it with a lot of anticipation. Its picturisation (by Bosco-Caesar) on Deepika Padukone is very good, keeping the excited audience satisfied.
Dum Maaro Dum Review – Star Performances
Abhishek Bachchan plays the ACP well. He makes the character believable but what happens to his character towards the end may not go down too well with a lot of people. Rana Daggubati does a fairly good job in his debut attempt. He has screen presence. Bipasha Basu is reasonably nice. Prateik is endearing and acts with aplomb. He  will be loved by the youth, especially the girls. Aditya Pancholi does his villainy in his usual style. Govind Namdeo leaves a mark. Anahita Nair is alright in a brief role as Laurie’s girlfriend. Muzammil S. Qureshi’s acting is lovely. Vidya Balan adds glamour in a brief special appearance. Deepika Padukone is enchanting and enticing in the title song-dance. Bugs Bhargava, Gantois Gomes, Mariah Pucu and Gulshan Devaiya lend the required support.

Dum Maaro Dum Review – Direction

Director Rohan Sippy concentrates more on style than substance. For, he has not been able to explain how the suspense is solved. And to watch a suspense thriller and not know how the suspense was ultimately deciphered cannot be many people’s idea of entertainment. Among the songs, the remixed version of R.D. Burman’s ‘Dum maaro dum’ song is the best. ‘Te amo’ (composed by Pritam) is also tuneful. Picturisation of the first-named song (by Bosco Caesar) is very nice. Jaideep Sahni’s lyrics in the title track (‘Potty pe nanga…’) will hurt the sensibilities of a section of the audience. Midival Punditz’s background score is superb. Amit Roy uses his camera rather well and captures the drama and the locations effectively. Action scenes, choreographed by Abbas Ali Moghul, are quite nice. Editing (Aarif Shaikh) could’ve been sharper. Technically, good. Production values are appropriate.


Komal Nahta’s Last Word
On the whole, Dum Maaro Dum has an interesting first half but a very ordinary second half. It will fail to do much at the box-office.

Thursday, April 21, 2011

Dharti will give huge competition to Dum Maaro Dum in Punjab. Mr. Perfect(Telugu) another hurdle in South


Dum Maro Dum will face huge competition in the North and South when it gets the full all India release on Friday.

Dharti (Punjabi) has a very good advance booking in Punjab meaning business of Dum Maro Dum will be hit in Punjab though Dum Maro Dum may still gross well from the Gurgaon/Faridabad belt of the East Punjab circuit.

In the South there is Mr Perfect (Telugu) which has taken a phenomenal advance in multiplexes of Nizam. Infact multiplexes of Hyderabad are 95% full already for Friday. Both East Punjab and Nizam are set to be under performers for Dum Maro Dum on Friday and are likely to be totally dependent on word of mouth.

source: http://www.boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=2795&nCat=box_office_news

Wednesday, April 20, 2011

Economics of Dum Maaro Dum


Budget : 20 cr
Sold to Fox Star : 25 cr
Total costs for Fox Star includinng Print and Pub : 33-35 cr
Revenue Recovery:
Expected Indian Theatrical share should be 20 cr approx , that is 40 cr Nett All India.
Satellite rights have not been pre-sold (KHJJS didnt even make it to TV).
So if the movie does 40 cr or so, then it will fetch decent Satellite rights(8-10 cr) and other revenue channels can provide 5-7 cr extra(Overseas,Music,DVD) etc.
The above should take the movie to safety(average success).
Anything above 40 cr India Nett and the movie will be going towards bigger success.

source: http://boxofficekings.com/?p=2648

Tuesday, April 19, 2011

First look poster - Mere Brother Ki Dulhan


The film is releasing on 9th September 2011.

Weekly Report (8/04/2011 - 14/04/2011)

                  ThankYou


Rank                         1
Cinemas                 1262
Week                         1
Weekly nett      28,88,00,000
% change                   -
Total Nett          28,88,00,000


      Verdict                  -
---------------------------------------------------------------------------------

                     FALTU


Rank                           2
Cinemas                    525
Week                           2
Weekly nett         4,52,00,000
% change                -72.33
Total nett            20,86,00,000


          Verdict         Average
---------------------------------------------------------------------------------

                       Game


Rank                             3
Cinemas                      325
Week                             2
Weekly Nett           68,00,000
% change                  -89.68
Total nett               7,27,00,000


              Verdict       Disaster


------------------------------------------------------------------------------

                     Tanu Weds Manu


Rank                               4
Cinemas                         50
Week                               7
Weekly nett               5,00,000
% change                    -76.19
Total nett                 38,67,00,000


                 Verdict           Hit
--------------------------------------------------------------------------------

                      Band Baaja Baarat


Rank                                 5
Cinemas                           25
Week                               18
Weekly nett                 2,00,000  
% change                      -77.77
Total nett                   23,29,00,000


                     Verdict    Above Average


source: http://www.boxofficeindia.com/cpages.php?pageName=earnings

ThankYou total business till second monday


Thank You is now doing well at the box office. It collected 1.25 crore approx on its second Monday which shows a drop of just 25% from its second Friday. The total 11 day business is now approx 37 crore nett.

But with a major release on Friday in Dum Maro Dum it may only be able to collect till then as a lot of screen space will be lost to Dum Maro Dum on Friday.

The film has appreciation outside metro multiplexes but low opening due to poor promotion has cost the film. The film should do a distributor share near 24 crore  but  the film would have been safe for distributors (where it was sold) when the all India share was 30 crore.

source:http://www.boxofficeindia.com/boxnewsdetail.php?page=shownews&articleid=2786&nCat=box_office_news